The safest bet would have been to stick with Fuji, but in the spirit of experimenting with something new and unique, I pulled the trigger on my pre-order. Like the X-T3, it would offer gorgeous image quality and a small footprint – but some of the added bells and whistles on the FP were too tempting to pass up. ![]() ![]() Until recently, my go-to camera for this type of thing was the Fuji X-T2 (which I love), but sold it several months ago with the intention of upgrading the the X-T3.īefore I got around to actually buying an X-T3, the Sigma FP landed on my radar, and was hard to ignore. So I found myself in need of a tool for those small projects like impromptu short films, pickup shots, website content, or anything else I might need to shoot entirely myself. For medium sized narrative and commercial productions I’ve mainly been shooting on Blackmagic URSA Minis, which are fantastic, but again too large (physically) for some of my much smaller scale productions. On the high end, I have my Arri Alexa Plus 4:3 which is great for bigger productions, but too large and heavy for smaller run-and-gun shoots. For now though, I want to share some of what went into my purchase decision, for those of you who may be considering it too.įor a while now, I’ve been looking for a camera that could fill a gap in my kit. Once the camera actually arrives – likely in the next 1 – 2 weeks – I’ll publish some of my test footage along with a written review. It offers some of the most unique and innovative features that we’ve seen in a long time, including 12 bit raw capabilities – which a big reason I took the leap and pre-ordered one myself. ![]() There have been a ton of new camera announcements and releases over the past year, but perhaps none more interesting than Sigma’s brand new FP mirrorless.
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